MORE INFORMATION:This book is available via the World Wide Web. Click the link below for more information.
CLICK TO ACCESS:Click for Access to the E-Book
Imprint:New York, N.Y. : Allworth Communications, c2002.
Physical Description:x, 277 p. : ill.
Note:Biomechanics : understanding Meyerhold's system of actor training / Marianne Kubik -- Michael Chekhov, psychological gesture, and the thinking heart / Floyd Ruhmor -- Theatrical stillness / Mary Fleischer -- Teaching Charlie Chaplin how to walk / Dan Kamin -- The Feldenkrais method / Alan S. Questel -- Alexander technique and the integrated actor : applying the principles of the Alexander technique to actor preparation / Teresa Lee -- An introduction to Laban movement analysis for actors : a historical, theoretical, and practical perspective / Barbara Adrian -- Breathe before you act / Caroline Thomas -- Mask and ritual / Shelley Wyant -- The smallest mask : the red nose / Jean Taylor -- Discovering ensemble and impulse through improvisation / Paul Urcioli -- Bringing the past into the present : period dance on the stage and in the curriculum / Nira Pullin -- Shakespeare honors the three centers of the body / Susan Dibble -- Some rehearsal notes for Molière and Restoration comedy style / Rod McLucas -- The Williamson physical technique : the physical process of acting / Lloyd Williamson -- An introduction to Margolis method[trademark sign] : a dynamic physical approach to actor training / Kari Margolis -- Movement training : dell'arte international / Joan Schirle -- Synergizing internal and external acting / Jill Mackavery -- The actor as athlete of the emotions : the Rasaboxes exercise / Michele Minnick and Paula Murray Cole -- Mind-body juggling for the camera / Erika Batdorf -- Teaching postmodern choreography to actors : eschewing the inebriation of emotion / Nicole Potter interviews Annie-B Parson -- SITI : why we train, a conversation between Ann Bogart and the SITI Company / compiled by Will Bond -- The problem of movement theater / Brad Krumholz.
